“It has been too long since the last Csound Blog. This is why I’m personally excited to announce this newest edition, ‘Adding Zak to the Mix.’Today’s topic is how to model a studio mixer in Csound using Robin Whittle’s zak opcodes.[1] I will actually be stretching this subject over an unspecified number of blog entries, as I couldn’t possibly cover every significant nuance in one write-up. What I’m presenting here today is merely an overview, while in the following issues I will break down everything into its respective modular components. Not only will I cover the design of this zak mixer, I will present new ways in which you can organize your orchestras, along with how to unlock the potential of your patches using control instruments.”
Topics covered:
- Zak
- Model of a Studio Mixer
- Macros
- Signal Routing
- Organization
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