July 28, 2008 @ NYC Resistor
1 Session, 3 hours, with personalized post-session project with instructor via email.
Csound is the most powerful computer music language in the world, with a direct lineage to Max Mathews’ original Music-N languages. The focus of this class will be a synthesis of three topics: The Csound language, synthesizer theory, and composing weird alien music.
Together, we will demystify the assembly-like syntax of the Csound language. We will cover the fundamentals of synthesizer theory, including: oscillators, filters, envelopes, amplifiers and modulation. Finally, we’ll tie it all together by composing sounds in the vein of classic Sci-Fi movies.
Taught by Jacob Joaquin (that’s me.) Click here to enroll.
In the previous blog, “Modular Instruments“, I presented an instrument design model that takes advantage of Csound’s modular nature by breaking the common instrument structure apart into three elements: Synth Engine, Memory and Interface. (SEMI)
In todays blog, I create a new synth named MonoSynth based on the original SEMI Simple synth by replacing the zak memory with a memory core based on the chn opcodes, extending functionality of the engine, introducing modulation parameters, and by incorporating a method that links instances of instruments into an audio chain from within the score.