For the first four weeks, we’ve covered much ground in terms of Csound basics and synthesizer fundamentals. Today, we begin transitioning into elements of computer music composition, starting with Recontextualizing Ambient Music in Csound by Kim Cascone.
There are few resources that approach introductory Csound compostion as elegantly as Cascone’s chapter from The Csound Book. In it, Cascone provides a bit of history and personal background, techniques for composing in a computer music environment, and six instrument designs. There is one particualr passage that I want to emphasize, as I think it can be of great use:
“I started studying instrument design by taking other composers’ instruments and drawing them out on paper in flowchart form. I took the scores and isolated a particular instrument by commenting out all other instruments except the one I wanted to listen to. I would then start to modify that instrument in various ways so I could hear the effect my code was having.”