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	<title>Comments on: Bowed String Additive Synth</title>
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	<link>http://codehop.com/bowed-string-additive-synth/</link>
	<description>#code #art #music</description>
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		<title>By: The Csound Blog &#187; Graph Layout Music</title>
		<link>http://codehop.com/bowed-string-additive-synth/#comment-399</link>
		<dc:creator><![CDATA[The Csound Blog &#187; Graph Layout Music]]></dc:creator>
		<pubDate>Thu, 09 Sep 2010 14:11:19 +0000</pubDate>
		<guid isPermaLink="false">http://csound.noisepages.com/?p=333#comment-399</guid>
		<description><![CDATA[[...] The instrument I used in the background is an additive string I modified from here: http://csoundblog.com/2010/03/bowed-string-additive-synth/ [...] ]]></description>
		<content:encoded><![CDATA[<p>[&#8230;] The instrument I used in the background is an additive string I modified from here: <a href="http://csoundblog.com/2010/03/bowed-string-additive-synth/" rel="nofollow">http://csoundblog.com/2010/03/bowed-string-additive-synth/</a> [&#8230;] </p>
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		<title>By: The Csound Blog &#187; Additive Synth Upgrade</title>
		<link>http://codehop.com/bowed-string-additive-synth/#comment-398</link>
		<dc:creator><![CDATA[The Csound Blog &#187; Additive Synth Upgrade]]></dc:creator>
		<pubDate>Wed, 17 Mar 2010 18:18:11 +0000</pubDate>
		<guid isPermaLink="false">http://csound.noisepages.com/?p=333#comment-398</guid>
		<description><![CDATA[[...] technically isn&#8217;t an upgrade to the synth, and is probably more of a proof-in-concept. In the previous example, I use a table filled with noise for the EQ of the acoustic body. This works really well, though it [...] ]]></description>
		<content:encoded><![CDATA[<p>[&#8230;] technically isn&#8217;t an upgrade to the synth, and is probably more of a proof-in-concept. In the previous example, I use a table filled with noise for the EQ of the acoustic body. This works really well, though it [&#8230;] </p>
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		<title>By: Jacob Joaquin</title>
		<link>http://codehop.com/bowed-string-additive-synth/#comment-397</link>
		<dc:creator><![CDATA[Jacob Joaquin]]></dc:creator>
		<pubDate>Tue, 16 Mar 2010 03:12:44 +0000</pubDate>
		<guid isPermaLink="false">http://csound.noisepages.com/?p=333#comment-397</guid>
		<description><![CDATA[&lt;p&gt;Jim: Yeah, I went a little overboard on that vibrato. :)&lt;/p&gt;
&lt;p&gt;Robert: I&#039;m actually fiddling, no pun intended, with the bowed instrument right now, trying to get it to sound more authentic. While I&#039;m unsure virtual string instruments will be a personal long term goal of mine, I will be developing some of these ideas at least in the short term and presenting them here and in the Csound Journal. I&#039;ll know more once I get more of this additive synth built.&lt;/p&gt;]]></description>
		<content:encoded><![CDATA[<p>Jim: Yeah, I went a little overboard on that vibrato. :)</p>
<p>Robert: I&#8217;m actually fiddling, no pun intended, with the bowed instrument right now, trying to get it to sound more authentic. While I&#8217;m unsure virtual string instruments will be a personal long term goal of mine, I will be developing some of these ideas at least in the short term and presenting them here and in the Csound Journal. I&#8217;ll know more once I get more of this additive synth built.</p>
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		<title>By: Robert Foose</title>
		<link>http://codehop.com/bowed-string-additive-synth/#comment-396</link>
		<dc:creator><![CDATA[Robert Foose]]></dc:creator>
		<pubDate>Tue, 16 Mar 2010 01:31:38 +0000</pubDate>
		<guid isPermaLink="false">http://csound.noisepages.com/?p=333#comment-396</guid>
		<description><![CDATA[&lt;p&gt;Hi Jake, this is interesting to me for two reasons.  First, I&#039;ve always suspected that really interesting, acoustically viable things could be done with additive synthesis.  Second,I&#039;ve always hoped that someone would undertake a companion to &#039;Cooking with Csound&#039; that dealt with the stringed instruments of the orchestra.  Perhaps you&#039;d consider going farther along with your ideas with this as an eventual goal?&lt;/p&gt;]]></description>
		<content:encoded><![CDATA[<p>Hi Jake, this is interesting to me for two reasons.  First, I&#8217;ve always suspected that really interesting, acoustically viable things could be done with additive synthesis.  Second,I&#8217;ve always hoped that someone would undertake a companion to &#8216;Cooking with Csound&#8217; that dealt with the stringed instruments of the orchestra.  Perhaps you&#8217;d consider going farther along with your ideas with this as an eventual goal?</p>
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		<title>By: Jim Aikin</title>
		<link>http://codehop.com/bowed-string-additive-synth/#comment-395</link>
		<dc:creator><![CDATA[Jim Aikin]]></dc:creator>
		<pubDate>Tue, 16 Mar 2010 01:31:02 +0000</pubDate>
		<guid isPermaLink="false">http://csound.noisepages.com/?p=333#comment-395</guid>
		<description><![CDATA[&lt;p&gt;I like the sound. I&#039;ll want to take a look at the .csd and see if I can figure out what&#039;s going on. Some of the vibrato was deeper than on a real cello, but some of it was very much in the right ballpark. Interesting work!&lt;/p&gt;]]></description>
		<content:encoded><![CDATA[<p>I like the sound. I&#8217;ll want to take a look at the .csd and see if I can figure out what&#8217;s going on. Some of the vibrato was deeper than on a real cello, but some of it was very much in the right ballpark. Interesting work!</p>
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